![]() ![]() There are two different layers to her work. The titles are links to her personal memories. Happiness, sunsets, rainy days and landscapes that she observes in real life all find their way into her artwork. ![]() Through porcelain, she is able to translate her impressions into artworks. To Maria Ten Kortenaar, porcelain is a medium that allows her to express what she perceives, feels and experiences in everyday life. His works feature in a number of museums both in France and in the United States. Alain is an internationally recognised wood turner and his works have been exhibited internationally. He also uses techniques such as steam bending, texturing and sandblasting. He developed special tools to turn wood flowers, and then used this technique to turn and carve pieces evoking marine life or natural creatures. Alain soon developed his own distinctive style and technique, particularly in hollowing. However, during the early 1990s Alain slowly changed his focus from wood joining to woodturning, and has since dedicated himself exclusively to this craft. Alain created a company specialising in interior woodwork, yet he continued to turn wood as an amateur. ![]() It was not until he was twenty-eight that he took his first course in woodturning. Following his studies, Alain first worked as a mason and carpenter. In 2016, Renzo's name was inscribed in the guestbook of the MAM, the Maestri of Arte e Mestieri.īorn in the Ivory Coast, Alain Mailland moved to Paris at the age of five where he lived until the end of his studies at the National Art School of Cergy-Pontoise. Renzo believes that the future of this craft is in the hands of the young and dedicates an important portion of his time towards the training and teaching of students. The "stone painting" is the extraordinary combination of art and artisanship, tradition and innovation. Renzo Scarpelli now works alongside his son Leonardo in the mosaic workshop to create high-quality artistic masterpieces. This technique brings together painting, the knowledge of stones, stone size and colour. Renzo Scarpelli's mosaic workshop perpetuates the rich mosaic tradition Commesso Fiorentino that dates back to the Italian Renaissance and from Florence de Medici. After numerous years of apprenticeship and artistic studies, Renzo opened his workshop in Florence. At the age of 13, he started working the stones in one of the oldest artisan workshops in Florence. Babetto explores a modernistic aesthetic. His work has been exhibited around the world and features in the collections of the Pforzheim Jewellery Museum in Germany and the Victoria and Albert Museum in London. He has taught in many international art schools. He textures the surfaces by beating and often scratching the gold. To achieve distinctive colours and delicate textures, he personally prepares a metal alloy of his creation. This has driven him to work with geometric forms, creating works that reflect a minimalist, architectural to figurative range of styles. Giampaolo does not wish to reflect outward appearances through his work but rather the inwardness or essence of objects. Since then he has exhibited his jewellery and metalwork internationally. Giampaolo began working as a goldsmith and experimenting with metal arts in 1969. Master goldsmith Giampaolo Babetto studied at the Pietro Selvatico Art Institute in Padua and then at the Academy of Belles Artes in Venice. ![]()
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